There are many ways to not sit and watch Saturday night television. One of these is to cheat and lie down and watch Saturday night television but you can’t fool me with such technicalities. This particular Saturday evening I have avoided watching television (sitting or prostrate) by making a mental note of all the lies that were told by 80s pop groups in 80s bands who were from the 80s and did musics. Luckily for you, some of those mental notes can now be made available to stare at with your eyes on this very pages. I know, I’m too good to you but a leopard can’t change its trousers midstream.
What started me on the realisation of the lies I and all of my generation were spun by Western pop artists in the 1980s was suddenly clocking on to the fact that Kid Creole had a backing band called ‘the coconuts’. Rather than just tell random untruths in their songs (although I do think he protested too much when telling Annie he wasn’t her daddy) Kid and the band mugged us right off as a concept because none of that backing band even partially contained traces of coconut in their dna. To compound this, they went on to bring out a song called Stool Pigeon that had nothing to do with an urbanised woodland bird made out of turds.
Remember The Cutting Crew? They rehearsed next to my band in the early 80s in a freezing cold former stables block. They were called something else then and my band didn’t like them because their singer was right up himself. That singer went on to be internationally famous for a few minutes courtesy of the song ‘Died In Your Arms’ in which said singer claimed to have dropped dead while being embraced by someone or other. Not true. If he’d died while someone was hugging him there would have been a coroner’s report and how in the heck could he have been on Top of Them Pops if he was a stiff? Liar.
Def Leppard did not genuinely want people to pour sugar on them: I can’t prove it but I reckon the not-so-heavy metal band were colliding with Tate & Lyle to make people buy more of the addictive, grainy white stuff. No, not cocaine: sugar, you div.
Much as I enjoyed the musical stylings of Frankie Goes To Hollywood when I were a teenage fellah-me-lad, I’d still like to know why their lead singer, Holly Johnson, did not protect me from the Hooded Claw. Bored of tying Penelope Pitstop of railway tracks, that cartoon villain might very well have decided to leap out of his animated existence into our world and attack flesh and blood people at random. Possibly even me. I didn’t want to be tied to railway tracks in the 1980s and I continue not to want this to happen to this day. But has Holly ever let me know how to contact him so he can protect me against this scary, strawberry jam under a train form of death?
The lies of 80s pop music and its makers are so multitudinous that I may have to come back to this subject again and again and again until I stop foaming at the mind. For now I’ll leave you with the thought that Eddie Grant had so little respect for us listeners that he had clips of him dancing on a beach, in the surf if you please, despite the title of that video’s song being ‘I Don’t Wanna Dance’. Bare-faced cheek and a bare-faced lie, Eddie. Oh and I’ve checked out that avenue in Brixton you sang about in another song. It wasn’t wired up to the electricity grid at all, it was just a normal acoustic avenue. Thank god for the 90s when acts like Bjork told us nothing but truths in their songs.